EDUCATION
1999–00 Whitney Museum of American Art Independent Study Program, New York, NY 
1999 MFA cum laude, Sculpture, Yale University School of Art, New Haven, CT
1995 BFA cum laude, Fine Arts: Sculpture, Parsons School of Design, New York, NY
1995 BA cum laude, Psychology, Eugene Lang College, New School for Social Research, New York, NY

TEACHING EXPERIENCE
2013– Associate Professor, Sculpture and Graduate Fine Arts Programs, California College of the Arts, Oakland and San Francisco, CA
2008–13 Assistant Professor, Sculpture and Graduate Fine Arts Programs, California College of the Arts, Oakland and San Francisco, CA 
2009 Teaching Artist-in-Residence, Visual Arts Program and Printmaking Program, Sam Fox School of Design and Visual Arts, Washington University, St. Louis, MO
2008 Teaching Artist-in-Residence, Sculpture Program, Herron School of Art and Design, Indianapolis, IN
2007–08 Adjunct Faculty, Fiber Department, Maryland Institute College of Art, Baltimore, MD 
2007 Adjunct Faculty, Studio Art Department, New York University Steinhardt School, New York, NY 
2002–07 Adjunct Faculty, Art History Department, Institute for American Universities, Aix-en-Provence, France 
2006 Visiting Faculty, Studio Arts MFA Program, Maine College of Art, Portland, ME
2005 Teaching Artist-in-Residence, Printmaking Program, University of Kansas, Lawrence, KS
2003–04 Full-time Faculty, Study Abroad Program, Maryland Institute College of Art, Institute for American Universities, Aix-en-Provence, France 
2000–03 Adjunct Associate Professor, Visual Arts Division, Columbia University School of the Arts, New York, NY 
2000–03 Adjunct Faculty, Fine Arts Department, Parsons School of Design, New York, NY 
1998 Teaching Assistant (Award), Sculpture Department, Yale University School of Art, New Haven, CT 
1998 Teaching Assistant (Award), MFA Program, Yale University School of Art, New Haven, CT 

SELECTED ACADEMIC SERVICE (CCA)
2016– Co-Chair, Individualized Major
2016– Co-Chair, Faculty Campus Planning Committee
2011– Chair, Sculpture Program
2017 Member, Interim Review Committee, Tenure-Track Hire in Sculpture
2016 Faculty Representative, External Review, Sculpture Program
2016 Member, Search Committee, Dean of Fine Arts
2016 Member, Graduate Fine Arts Admissions Committee 
2016 Member, Interim Review Committee, Tenure-Track Hire in Architecture
2013–16 Member, Campus Planning Committee 
2015 Member, Search Committee, 3D Studio Operations Manager 
2013–15 Member, Academic Planning Steering Committee 
2014 Member, Interim Review Committee, Tenure-Track Hire in Printmaking
2014 Member, Search Committee, Tenure-Track Hire in Sculpture 
2009–14 Member, Graduate Fine Arts Admissions Committee 
2011–12 Member, Graduate Fine Arts Advisory Committee 
2011 Faculty Representative, External Review, Sculpture Program
2009–12 Member, Executive Committee
2009 Member, Search Committee, Tenure-Track Hire in Textiles

RELEVANT PROFESSIONAL EMPLOYMENT
2003–04 Interim Director, Center for Art & Culture, Maryland Institute College of Art, Institute for American Universities, Aix-en-Provence, France 
1995–97 Museum Educator, Whitney Museum of American Art at Philip Morris, New York, NY
1993–95 Development Associate, Exit Art/The First World, New York, NY

SOLO EXHIBITIONS, PERFORMANCES & PARTICIPATORY PROJECTS
2017 (upcoming) Common Goods, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (curated by Dina Deitch)
2017 (upcoming) Havruta: In That Case, Contemporary Jewish Museum, San Francisco, CA (curated by Anastasia James) (catalog)
2016 Source Materiel, Center for Contemporary Arts, Santa Fe, NM (curated by Erin Elder and Angie Rizzo) (catalog)
2015 The Fort, Signal Center for Contemporary Art, Malmö, Sweden (curated by Elena Tzotzi)
2014 Set Dressing, Arts Club of Chicago, IL (curated by Janine Mileaf) (catalog)
2013 Rudiments of Fife & Drum, Aldrich Contemporary Art Museum, Ridgefield, CT (curated by Richard Klein) (catalog, vinyl record)
2013 Living History, Haines Gallery, San Francisco, CA
2011 The Cries of San Francisco, Southern Exposure, San Francisco, CA (curated by Courtney Fink) (catalog)
2011 Piece Work & Sheep to Shawl, Museum of Contemporary Art Denver, CO (curated by Nora Burnett Abrams)
2009–11 SMITHS, Downtown Oakland, CA
2010 Pitcher Collection, Haines Gallery, San Francisco, CA
2010 Needle Work, Mildred Lane Kemper Art Museum, St. Louis, MO (curated by Lauren Adams) (catalogue)
2010 ARTS & SKILLS Service, San Francisco Museum of Modern Art/ San Francisco War Memorial, San Francisco, CA (curated by Frank Smigiel)
2010 Fancy Work, San Francisco Museum of Modern Art, San Francisco, CA (curated by Frank Smigiel)
2008 The Donkey, The Jackass, and The Mule, Indianapolis Museum of Art/ downtown Indianapolis, IN (curated by Rebecca Uchill)
2007 Banner Valance, Schmidt Center Gallery Public Space, Florida Atlantic University, Boca Raton, FL
2007 Notion Nanny, University of California Berkeley Art Museum and Pacific Film Archive, CA (curated by Elizabeth Thomas)
2006 Hobby Horse, Artpace, San Antonio, TX (curated by Tom Eccles)
2005 Notion Nanny, Studio Voltaire, London, England (curated by B+B, Sarah Carrington & Sophie Hope)
2005 Victory Hall, Bellwether, New York, NY
2005 The Muster, Public Art Fund, Governors Island, New York Harbor, NY (curated by Tom Eccles) (catalog)
2005 Public Address, Foxy Production, New York, NY (curated by Lauren Cornell)
2005 Armory, The Armory Show: International Fair of New Art, Bellwether, New York, NY
2002 Stilleven, evenStill, Bellwether, Brooklyn, NY

TWO- TO FOUR-PERSON EXHIBITIONS
2017 (upcoming) Be Not Still: Living in Uncertain Times, Di Rosa, Napa, CA (curated by Amy Owen)
2016 The Stand-ins: Maurizio Anzeri, Kota Ezawa, Chris McCaw, and Allison Smith, Haines Gallery, San Francisco, CA
2016 Allison Smith, Marie Lindgren, and [Krig], Gävle Konstcentrum, Gävle, Sweden (curated by Anna Livion-Ingvarsson)
2007 Poe & Twain Projects: Simon Leung, Allison Smith and Amy Yoes, Glyndor Gallery, Wave Hill, Bronx, NY (curated by Jennifer McGregor) (catalog)
2001 Sharon Core, Simone Dilaura, and Allison Smith, Bellwether, Brooklyn, NY
1997 Fearful Symmetry: Katherine Dimma and Allison Smith, Clementine, New York

SELECTED GROUP EXHIBITIONS
2017 (upcoming) Common Exchange, Cambridge Arts Council, Cambridge, MA (curated by Dina Deitsch)
2017 State of the World, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO (curated by Raechell Smith)
2017 Third Space, Birmingham Museum of Art, Birmingham, AL (curated by Wassan Al-Khudhairi)
2017 Artadia Booth, Untitled Art Fair, San Francisco, CA
2015 The Collectors, Haines Gallery, San Francisco, CA
2015 Here We LTTR (LTTR Archive), Tensta Konsthall, Tensta, Sweden (curated by Maria Lind)
2015 Alien She (LTTR Archive), Yerba Buena Center for the Arts, San Francisco, CA (curated by Astria Suparak and Ceci Moss)
2015 The Way We Live Now: Modernist Ideologies at Work, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (curated by James Voorhies) (catalog)
2015 What Is To Come Has Already Arrived, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain; Koldo Mixtelena Kulturunea, San Sebatian, Spain (organized by Peter Coffin) (catalog)
2014 Grow Your Own: Micronations, Concept Nations, and Independent Sovereign States from Around the World, part of What Is To Come Has Already Arrived, Centro Andaluz de Arte Contemporaneo, Seville, Spain (organized by Peter Coffin) (catalog)
2013 Labour and Wait, Santa Barbara Museum of Art, CA (curated by Julie Joyce) (catalog)
2013 Social Fabric, Craft and Folk Art Museum, Los Angeles, CA (curated by Anuradha Vikram)
2012 We the People, Francis Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (curated by Ian Berry and Rachel Seligman)
2012 International Orange, For-Site Foundation, Fort Point, San Francisco, CA (catalog)
2011 The Air We Breathe, San Francisco Museum of Modern Art, CA (curated by Apsara DiQuinzio) (catalog)
2011 Bay Area Now 6, Yerba Buena Center for the Arts, San Francisco, CA (curated by Betti-Sue Hertz and Thien Lam) 
2011 Embodying, Atlanta Contemporary Art Center, Atlanta, GA (curated by Stuart Horodner)
2010 Huckleberry Finn, CCA Wattis Institute for Contemporary Arts, San Francisco, CA (curated by Jens Hoffmann) (catalog)
2010 Open Score Variations, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY (curated by Daniel Mason)
2008–10 The Old, Weird America: Folk Themes in Contemporary Art, Contemporary Arts Museum Houston, TX; deCordova Sculpture Park & Museum, Lincoln, MA; Frye Art Museum, Seattle, WA (curated by Toby Kamps) (catalog)
2008 Democracy in America, Creative Time, Park Avenue Armory, New York, NY (curated by Nato Thompson) (catalog)
2008 Gestures of Resistance: Craft, Performance, and the Politics of Slowness, Gray Matters Gallery, College Art Association, Dallas, TX (curated by Judith Leemann and Shannon Stratton)
2008 On Procession, Indianapolis Museum of Art, IN (curated by Rebecca Uchill) (catalog)
2008 Inner and Outer Space, Mattress Factory, Pittsburgh, PA (curated by Dara Meyers-Kingsley)
2007 ÉTATS (faites-le vous-même)/ GROW YOUR OWN, Palais de Tokyo, Paris, France (organized by Peter Coffin)
2006 Art in America, Arario Gallery, Cheonan, South Korea (catalog)
2006 Ahistoric Occasion: Artists Making History, Massachusetts Museum of Contemporary Art, North Adams, MA (curated by Nato Thompson) (catalog)
2006 The “F” Word, Andy Warhol Museum, Pittsburgh, PA (curated by Elizabeth Thomas)
2006 Was Wäre Wenn #4: Hands-On History, JET, Berlin, Germany (curated by Vera Tollmann) (catalog)
2006 Interstate: The American Road Trip, High Desert Test Sites, Socrates Sculpture Park, Long Island City, NY
2005 You are Here, Ballroom Marfa, TX (curated by Fairfax Dorn)
2005 Greater New York, P.S.1/Museum of Modern Art, Long Island City, NY (curated by Klaus Biesenbach, Alanna Heiss, Glenn D. Lowry, Robert Nickas, Amy Smith-Stewart, and Ann Temkin) (catalog)
2005 Log Cabin, Artists Space, New York, NY (curated by Jeffrey Uslip)
2005 We Could Have Invited Everyone, Andrew Kreps Gallery, New York, NY (organized by Peter Coffin)
2004 Explosion LTTR, Art in General, New York, NY (curated by Sofia Hernandez Chong Cuy)
2003 Formed to Function? John Michael Kohler Arts Center, Sheboygan, WI (curated by Dominique Nahas and Michael Rush)

NOTABLE ARTIST RESIDENCIES
2015 IASPIS, Swedish Arts Grants Committee, Stockholm, Sweden
2014 Josep Lluis Sert Practitioner in the Arts, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
2013–14 Museum of Modern Art, Artists Experiment Initiative, New York, NY
2013 Aldrich Contemporary Art Museum, Ridgefield, CT
2012 Headlands Center for the Arts, Sausalito, CA
2012 Artadia Artist-in-Residence, International Studio and Curatorial Program, Brooklyn, NY
2010 Headlands Center for the Arts, Sausalito, CA
2010 San Francisco Museum of Modern Art, San Francisco, CA
2009 Henry L. & Natalie E. Freund Visiting Artist, Washington University, St. Louis, MO
2006 Artpace International Artist Residency, San Antonio, TX
2005 Grizedale Arts, Cumbria, UK

HONORS & AWARDS
2015 National Endowment for the Arts Project Grant, Washington, DC
2010 United States Artists Fellowship, New York, NY
2010 Creative Work Fund Visual Arts Grant, San Francisco, CA
2009 Alternative Exposure Grant, Southern Exposure, San Francisco, CA
2009 Artadia Award, San Francisco, CA
2008 Foundation for Contemporary Arts Grants to Artists Award, New York, NY
2007 New York Foundation for the Arts Artist Fellowship, New York, NY
2005 Arts Council England Grant, London, UK
2005 Jerwood Charitable Foundation Grant, London, UK
2001 Lower East Side Printshop Special Editions Fellowship, New York, NY
1999 Susan H. Whedon Award, Yale University School of the Arts, New Haven, CT
1999 Leopold Schepp Foundation Fellowship, New York, NY
1995 David S. Woods Award for Humanitarianism, Eugene Lang College, New School for Social Research, New York, NY

SELECTED BIBLIOGRAPHY
2017 Risa Puleo, "A Fanfare of Flags: Unwoven, Repurposed, Quilted, and Performed." hyperallergic.com, March 17, 2017.
​2017 Socrates Sculpture Park: Thirty Years, Socrates Sculpture Park, Long Island City, New York, 2017.
2016 James Voorhies, "The Way We Live Now: Modernist Ideologies at Work." What Ever Happened to New Institutionalism?, Camrbidge and Berlin: Carpenter Center for the Visual Arts, Harvard University and Sternberg Press, 2016.
2016 Jennifer Levin, “Trenchant Insight: Source Materiel.” Santa Fe New Mexican, April 3, 2017.
2016 Jackie Jadrnak, “‘Trench art’ was an expression of love and life amid the violence of The Great War.” Albuquerque Journal, February 19, 2016.
2016 Elizabeth Thomas, “Acting Out.” Allison Smith: The Cries of San Francisco. San Francisco: Southern Exposure, 2016.
2016 Gwen Allen, “Craft, Commerce, & Communication in Allison Smith’s The Cries of San Francisco.” Allison Smith: The Cries of San Francisco. San Francisco: Southern Exposure, 2016.
2015 Tho
mas Millroth, “The Ideological Surface-Crack.” Sydsvenskan, Malmö, Sweden, October 3, 2015.
2015 Juan Antonio Álvarez Reyes, “What Is to Come Has Already Arrived: reactivate utopias.” Donostia/San Sebastián: Gipuzkoako Foru Aldundia, 2015.
2015 Sarah Urist Green, "The Muster: Allison Smith," The Art Assignment, PBS Digital Studios, May 7, 2015.
2015 Ann Landi, “Telling Stories in Three Dimensions: Installation Art Today.” ARTnews.com, January 20, 2015.
2015 Trent Morse, “Allison Smith: Material Girl.” ARTnews.com 17 January 2015.
2014 Mark Pohlad, “Allison Smith: Arts Club of Chicago.” Newcity Art art.newcity.com, December 12, 2014.
2014 Micol Hebron, “Social Fabric.” Journal of Modern Craft 6, no.3, 2014.
2014 Richard Klein, Allison Smith: Rudiments of Fife & Drum. Ridgefield, CT: Aldrich Contemporary Art Museum, 2014.
2014 Elissa Auther, “A Brief History of Quilts in Contemporary Art.” Unconventional and Unexpected: American Quilts Below the Radar 1950-2000. New York: Abrams, 2014.
2014 Nicole Archer, “Hand in Glove: Allison Smith’s ‘Set Dressing’ and the Erotics of Historic Inconsistency.” Allison Smith: Set Dressing. Chicago: Arts Club of Chicago, 2014.
2014 Nicole Archer, “Security Blankets: Uniforms, Hoods, and the Textures of Terror,” Women and Performance, December 6, 2014. 
2014 Keri-Lynn Reeves and Jenny Western, “The Heart of the Matter.” Cahiers métiers d'art / Craft Journal [Montreal, Canada] 7, no. 2, 2014.
2013 Brian Karl, ed. “Other Histories: ‘Knowing War’ and ‘Global Human Movements: Immigration,’" Headlands Center for the Arts, Sausalito, CA, 2013.
2013 Kriston Capps, “‘A Modest Occupation’ at Transformer.” Washington City Paper, Washington, DC, September 20, 2013.
2013 “Labour and Wait, Santa Barbara Museum of Art..” KZSB Radio, Santa Barbara, CA
2013 Catherine Lord and Richard Meyer, Art and Queer Culture. London: Phaidon, 2013.
2013 Scarlet Cheng, “‘Labour & Wait’ Displays the Melding of Art and Craft.” Los Angeles Times, August 31, 2013.
2013 Brooke Hodge, “Where Arts and Crafts are One.” The New York Times Magazine, New York, NY, July 1, 2013. 
2013 Julie Joyce, “Labour and wait.” Labour and Wait. Santa Barbara: Santa Barbara Museum of Art, 2013: 21-33.
2013 Rebecca Uchill, “Processing Transactions, Forming Intent: Coproduction and Exchange in the Work of Allison Smith,” FutureAnterior 10, no. 1, Summer 2013. 
2013 Kimberly Chun, “‘Allison Smith: Living History': Snapshot of U.S.” San Francisco Chronicle, June 26, 2013.
2013 Glenn Adamson, “Nothing to be done? Deferral and the Labor of Art.” Labour and Wait. Santa Barbara: Santa Barbara Museum of Art, 2013: 63-71.
2013 “Labour and Wait: SBMA Exhibition Explores Contemporary Culture’s Obsession with the Handcrafted.” ARTFIX Daily, April 3, 2013.
2013 
Lisa Young-De Leon, “Social Fabric: Questioning the Fibers of Our Material Existence.” Life in LA.com, March 6, 2013.
2013 “The Craft and Folk Art Museum presents artists who intersect fabric-based art with social engagement.” artdaily.org, March 4 2013.
2013 Sandra Barrera, “The politics of cloth, yarn and ... sequins at the Craft and Folk Art Museum.” Daily News Los Angeles, March 1, 2013.
2013 Jacquelyn Gleisner, “New Kids on the Block: All Who Muster with Allison Smith,” art:21, June 10, 2013. 
2013 Martha Schwendener, “Fifes and Drums as Performance Art,” The New York Times, New York, NY, June 7, 2013. 
2013 Barbara Pollack, “The Civil War in Art, Then and Now,” ARTnews, May 15, 2013. 
2013 Julie Wolfson, “Social Fabric: Seven artists turn fabric into a tactile discussion of culture, commerce and war.” Cool Hunting.com, February 5, 2013. 
2012 International Orange: Artists respond to the Golden Gate Bridge at 75. San Francisco: FOR-SITE Foundation, 2012.
2012 Mel Y. Chen, “Masked States and the ‘Screen’ Between Security and Disability,” Women’s Studies Quarterly 40:1 & 2 Spring/Summer 2012. 
2012 Kirsten Ballard, “Quilts Displayed at Hanes Art Gallery.” The Daily Tar Heel, September 5, 2012.
2012 Barbara Morris, “International Orange.” Artillery 7:1 September/October 2012.
2012 John Cary, “International Orange.” TraceSF, August 3, 2012.
2012 Alyson Kuhn, “International Orange: 15 Artists Respond to the Golden Gate Bridge.” Felt & Wire, July 30, 2012.
2012 John Zarobell, “International Orange.” Art Practical 3:17, June 14, 2012.
2012 Carol Kino, “A Bridge’s Golden Years.” The New York Times, June 7, 2012.
2012 Christian L. Frock, “FOR-SITE Foundation Celebrates the Golden Gate with International Orange.” KQED Arts, June 2, 2012.
2012 Heidi de Vries, “Happy Birthday Golden Gate Bridge.” SF Weekly, May 25, 2012.
2012 Sam Whiting, “’International Orange’ Opens at Fort Point.” San Francisco Chronicle, May 20, 2012.
2012 “’International Orange’ Exhibition, This Week in Northern California,” KQED TV, May 18, 2012.
​2012 Carol Kino, “Puppies, Paintings and Philosophers.” The New York Times, March 1, 2012.
2011 Paula A. Calvin and Deborah A. Deacon, American Women Artists in Wartime: 1776-2010. Jefferson, NC and London: Macfarland & Company, 2011.
2011 Janis Jeffries, “Loving Attention: An Outburst of Craft in Contemporary Art.” Extra/ Ordinary: Craft and Contemporary Art. Duke University Press, 2011: 232-237.
2011 Lacey Jane Roberts, “Put Your Thing Down, Flip It, and Reverse It: Reimagining Craft Identities Using Tactics of Queer Theory.” Extra/ Ordinary: Craft and Contemporary Art. Duke University Press, 2011: 252-253, 259.
2011 Eileen Myles, “My Gay Marriage.” The Air We Breathe: Artists and Poets Reflect on Marriage Equality. San Francisco: SFMOMA, 2011.
2011 Julia Bryan-Wilson, “Sites of Material Production.” Ann Wilson: Wind/Rewind/Weave. Knoxville Museum of Art and WhiteWalls, Inc., 2011.
2011 Gerard Brown, “Reenactment and Relic: The Civil War in Contemporary Art.” Remixing the Civil War: Meditations on the Civil War Sesquicentennial. Baltimore: Johns Hopkins University Press, 2011. 
2011 Pablo Helguera, Education for Socially Engaged Art. New York: Museum of Modern Art, 2011. 
2011 Rebecca Schneider, Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011. 
2011 Mirjana Blankenship and Elyse Mallouk, Huckleberry Finn. San Francisco: CCA Wattis Institute for Contemporary Arts, 2011.
2011 Franklin Sirmans, “Good Business is the Best Art.” 41 Artists, 5 Cities, Artadia 08/09. New York: Artadia: The Fund for Art and Dialogue, 2011.
2011 Matt Sussman, “Pre-Occupied,” San Francisco Bay Guardian, San Francisco, CA, December 20, 2011. 
2011 “SFMOMA’s ‘The Air We Breathe’ Exhibition Addresses Marriage Equality.” Huffington Post, November 10, 2011.
2011 Margaret Tedesco, “Roll Call: Bay Area Arts and Culture: The Air We Breathe.” KUSF in Exile radio, San Francisco, CA
2011 Matthai Kuruvila, “Remember Them Oakland Sculpture to be Unveiled.” SFGate, September 5, 2011.
2011 Frances DeVuono, “Allison Smith: MCA Denver,” Art in America, August 27, 2011. 
2011 Sara Bernard, “The Cries of San Francisco: Artists Celebrate the Call of the Street Peddler.” KALW News, June 16, 2011.
2011 Mark Bieschke, “Pre-Occupied.” San Francisco Bay Guardian, June 14, 2011.
2011 Matt Sussman, “Crying in Public.” San Francisco Bay Guardian, June 14, 2011.
2011 Larissa Archer, “Art, Performance, and Odd Wares Rise Above Mid-Market Din in ‘The Cries of San Francisco’.” SF Weekly, June 13, 2011.
2011 Andy Wright, “Cries of San Francisco: Artists Take Over Downtown in Massive Public Art Performance.” The Bay Citizen, June 13, 2011.
2011 Nirmala Nataraj, “’The Cries of San Francisco’: Marketplace as Art,” San Francisco Chronicle, San Francisco, CA, June 2, 2011. 
2011 Davia Nelson and Nikki Silva, The Kitchen Sisters. “Trench Art, Craft, and Service.” Hidden World of Girls, National Public Radio, May 25, 2011.
2011 Glen Helfand, “Fair Trade.” San Francisco Museum of Modern Art Open Space Blog, May 22, 2011.
2011 Julia Bryan-Wilson and Sharon Hayes. “Conversation-in-images: Julia Bryan-Wilson: Sharon Hayes.” Camera Austria 113, 2011.
2011 Ann Landi, “History in the Making.” ARTnews April 2011.
2011 Melissa E. Feldman, “Huckleberry Finn.” frieze 137, March 2011.
2011 Gene Davis, “Art During Wartime: Allison Smith Exhibits a Great History Lesson.” The Denver Daily News, February 15, 2011.
2010 Patricia Maloney, “Interview with Allison Smith.” Art Practical 2, no. 8, December 31, 2010.
2010 Kenneth Baker, “’Huckleberry Finn’ in Visual Form at CCA.” San Francisco Chronicle, SFGate.com, December, 2 2010.
2010 Jennifer Geigel Mikulay, “Acts of Association: Allison Smith’s Craft as Civic Practice,” Journal of Modern Craft, 2, no. 2 (2010). 
2010 Annie Larmon, “Five Artists Address Intimacy at MECA’s ICA.” The Portland Phoenix, September 22, 2010.
2010 Bean Gilsdorf, “Pitcher Collection: Allison Smith.” Art Practical, September 9, 2010.
2010 Brad Menninga, “Crafting Solidarity: Using Social Craft to Create Democratic Space.” California College of the Arts, 2010.
2010 Sasha Fine, “’Needle Work’: Allison Smith’s Transformative Ability.” Student Life blog, St. Louis: Washington University, 2010.
2010 Wendy Vogel, “Embodied Ma(s)king.” Allison Smith: Needle Work. St. Louis: Mildred Lane Kemper Art Museum, 2010.
2010 Jane Neidich, "Interview with Allison Smith." Allison Smith: Needle Work. St. Louis: Mildred Lane Kemper Art Museum, 2010.
2010 Gangsei, Erica. "Interview with Allison Smith." SFMOMA Artcasts, June 2010.
2010 Megan Brian, “Allison Smith: Five Questions.” SFMOMA Open Space blog, April 26, 2010.
2010 Julia Bryan-Wilson, “The Politics of Craft.” The Craft Reader. London: Berg, 2010.
2010 Lindsey Westbrook, “’Allison Smith: Needle Work’. ”CCA News, San Francisco: California College of the Arts, February 22, 2010.
2010 Jessica Baran, “Allison Smith: Needle Work.” riverfronttimes.com, February 16, 2010.
2010 Daniel Sack, “Meet Me at the Museum.” American Theater 27:2, February 2010.
2010 Richard McCoy, “Examining Roles and Investigating Responses: A Conversation with Rebecca Uchill.” art21.org, January 19, 2010.
2010 Scott Oliver, “Hooshing and the Nexus of Clothing: a Conversation with J. Morgan Puett.” Art Practical 7 History Lessons, February 2010.
2010 Patricia Maloney “Interview with Allison Smith.” Art Practical 1, no. 6 Common Ground, January 2010.
2009 Lindsey Westbrook, “Allison Smith: Extreme Sculptor.” CCA News, San Francisco: California College of the Arts, December 10, 2009.
2009 Christina Linden, “Crafty.” Provence R Autumn/Winter 2009: 30-32.
2009 Jen Graves, “Patriot Acts: Looking for Redemption in The Old, Weird America.” The Stranger [Seattle, WA], October 6, 2009.
2009 Regina Hackett, “Godforsaken Curios: The Old, Weird America.” Arts Journal, October 5, 2009.
2009 Danielle Sommer, “SMITHS: Composed of Tiny, Handmade Details.” Visual Arts: KQED Public Media for Northern CA, July 19, 2009.
2009 Susan Saccoccia, “American Heritage on Display at the DeCordova Museum.” Bay State Banner, July 9, 2009.
2009 Chris Bergeron, “’Old, Weird America’ Offers Another Side of History.” Daily News Tribune [Waltham, MA], July 5, 2009.
2009 Sebastian Smee, “Tweaking History at DeCordova.” The Boston Globe, June 28, 2009.
2009 Edgar Allen Beem, “Folk Art as Fine Art.” Yankee, June 25, 2009.
2009 Delores Handy, “An ‘Old, Weird’ History Lesson from Dylan’s American Songbook.” WBUR, June 8, 2009.
2009 Evan J. Garza, “Folk My Brains Out.” Boston Phoenix, May 19, 2009.
2009 Maghan Dailey, “Introduction.” Shape of Things to Come: New Sculpture. London: Saatchi Gallery, Rizzoli, 2009.
2009 Julia Bryan-Wilson, “The Politics of Craft.” Choosing Craft. Chapel Hill, NC: University of North Carolina Press, 2009.
2009 Julia Bryan-Wilson, “Queerly Made: Harmony Hammond’s Floorpieces.” Journal of Modern Craft 2, no. 1 (2009): 59-80.
2009 Elizabeth Thomas, MATRIX/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009.
2009 Tom Eccles, “Allison Smith.” 2006 Artpace Residencies & Exhibitions. San Antonio: Artpace San Antonio, 2009.
2008 Holland Cotter, “With Politics in the Air, A Freedom Free-for-All Comes to Town.” The New York Times, September 22, 2008.
2008 Carla Blumenkranz, “Radical Speak.” New York Magazine, September 14, 2008.
2008 Anasazi, “Allison Smith: Poe and Twain Projects.” bryanhiott.com, September 14, 2008.
2008 Tavia Nyong’o, “Period Rush: Affective Transfers in Recent Queer Art and Performance.” Theater History Studies 28, 2008.
2008 Daniel Kunitz, “Artists Soldier for Democracy at the Park Avenue Armory.” Village Voice, September 3, 2008.
2008 Nato Thompson, “Exhausted? It Might Be Democracy in America.” A Guide to Democracy in America. New York: Creative Time, 2008.
2008 Toby Kamps, The Old, Weird America. Houston, TX: Contemporary Arts Museum, 2008.
2008 Rebecca Uchill, “Carnivals of Confluence.” On Procession: Art on Parade. Indianapolis: Indianapolis Museum of Art, 2008.
2008 Geir Heraldseth, “Interview with Allison Smith,” Acne Paper 7, Paris, France, Autumn 2008. 
2008 Rebecca Uchill,On Procession: Art on Parade. Indianapolis: Indianapolis Museum of Art, 2008.
2008 “First Contemporary Art Exhibition Exploring Parades and Street Pageantry To Open at IMA.” artdaily.org, June 25, 2008.
2008 Trong Gia Nguyen, “Mark Dion in Philly and New York.” art:21 blog, June 20, 2008.
2008 Scott Webel, “The Old, Weird America.” fluent~collaborative, June 13, 2008.
2008 “Contemporary Arts Museum Houston Presents New Art Exploring Folk Themes in the Old, Weird America.” artdaily.org, June 5, 2008.
2008 Marcel Janco (Nicola Trezzi), “Fair-y Tales” UOVO 18 – open office / Basel 2008.
2008 LJ Roberts, “Put Your Thing Down, Flip It, and Reverse It: Re-imagining Craft Identities Using Tactics of Queer Theory.” Sightlines. San Francisco: Visual & Critical Studies Program, California College of the Arts, 2008.
2008 Kurt Shaw, “Artists Make New Use of Mattress Factory.” Pittsburgh Tribune Review, May 17, 2008.
2008 “Mattress Factory Exhibits Inner and Outer Space.” artdaily.org, May 14, 2008.
2008 Laura Lark, “’The Old, Weird America’ at CAMH.” glasstire.com, May 2008.
2008 Toby Kamps, The Old, Weird America. Houston: Contemporary Arts Museum, 2008.
2008 Philip Auslander, “On Procession.” Artforum, May 2008: 167.
2008 Pamela Sheinman, “Crafting Protest at the New School.” Fiber Arts 35:1 (2008): 10.
2008 Dara Meyers-Kingsley, Inner and Outer Space. Pittsburgh, PA: Mattress Factory, 2008.
2008 Marilyn S. Kushner, The Future Must Be Sweet: Lower East Side Printshop Celebrates 40 Years. New York: Lower East Side Printshop, 2008.
2008 Konrad Marshall, “Art in Motion: IMA Exhibit Looks at Parades and Why We Love Them.” The Indianapolis Star, Indy Sunday supplement, April 27, 2008: 5-11.
2008 “IMA Loves a Parade.” Nuvo, April 22, 2008.
2008 Abbye Churchill, “North Drive Press Publishes Pandora’s Box.” Tokion 2:2, 2008.
2008 Julia Bryan-Wilson, “The Politics of Craft,” Modern Painters, February 2008. 
2008 “First Contemporary Art Exhibition Exploring Parades and Street Pageantry.” artdaily.org, January 22, 2008.
2008 Glen Helfand, “Staying Power.“ San Francisco Bay Guardian Online, January 2, 2008.
2007 “Allison Smith’s Mixed Media Art.” The New York Times, October 21, 2007: 22.
2007 “Garden’s Series on Writers Examines Twain and Poe.” The Riverdale Press [New York], September 6, 2007: B3.
2007 Timothy Marvel Hull, “Entrenched with Allison Smith,” Swingset 8 (2007). 
2007 Tom Eccles, Allison Smith: The Muster: What Are You Fighting For?. New York: Public Art Fund, 2007.
2007 James Trainor, Allison Smith: The Muster: What Are You Fighting For?. New York: Public Art Fund, 2007.
2007 Anne Wehr, Allison Smith: The Muster: What Are You Fighting For?. New York: Public Art Fund, 2007.
2007 Elizabeth Thomas, “Allison Smith: Notion Nanny.” Berkeley, CA: University of California, Berkeley Art Museum and Pacific Film Archive, 2007.
2007 Maria Porges, “Allison Smith: Notion Nanny at Berkeley Art Museum.” Shotgun Review 6 July 2007.
2007 Elizabeth Thomas, “Allison Smith: Notion Nanny.” Art & Film Notes. Berkeley, CA: University of California, Berkeley Art Museum and Pacific Film Archive, May/June 2007.
2007 Helen Molesworth, “Worlds Apart.” Artforum May 2007: 112-113.
2007 Tracy L. Adler, New History. New York: Hunter College Art Galleries, 2007.
2007 Jennifer McGregor, Poe and Twain Projects: Simon Leung/ Allison Smith/ Amy Yoes. Bronx, NY: Wave Hill Glyndor Gallery, 2007.
2007 Aimee Walleston, “Allison Smith’s Semantic Battleground,” Tokion 2, no. 1 (2007). 
2007 Denise Markonish, Don’t Know Much About History. New Haven: Artspace, 2007.
2007 L.D. Beghtol, “Fight Club: Allison Smith’s Project Inspires Protest,” VillageVoice.com, March 30, 2007. 
2007 Sabrina Gschwandtner, Knitknit: Profiles + Projects from Knitting’s New Wave. Stewart, Tabori, and Change, 2007.
2007 John Thomason, “Global Textile Artists Sew Through War.” West Boca Times [Boca Raton, FL], February 14, 2007: 31-33.
2007 Elisa Turner, “Critic’s Pick.” Miami Herald, February 9, 2007.
2007 Peter Nesbett, “Who Cares.” Art on Paper January/February 2007: 46-51.
2007 Lara Taubman, “HDTS 5 and Interstate: The American Road Trip.” Sculpture January/February 2007: 67-68.
2006 Dan R. Goddard, “The Best of 2006.” San Antonio Express-News, December 31, 2006.
2006 Frank Hammel,  “Gloves Off at Artpace.” San Antonio Current, December 13-19, 2006: 18.
2006 Judy Birke, “Artspace’s Provocative ‘History’ Goes Beyond Any Textbook.” New Haven Register, December 10, 2006: E1+.
2006 Dan R. Goddard, “Hobby Horse Show a Take On War.” San Antonio Express-News, December 10, 2006: J1.
2006 Justin Jannise, “Artspace Show Explores History.” Yale Daily News [New Haven, CT] 29 November 29, 2006.
2006 Peter Eleey, “Beauty and its Discontents.” Who Cares. New York: Creative Time, 2006.
2006 Denise Markonish, Don’t Know Much About History. New Haven: Artspace, 2006.
2006 Seo Dong-shin, “Art in America Brings Piece of Wonderland.” The Korea Times, October 20, 2006.
2006 Elizabeth Thomas, “Allison Smith.” The F-Word 1. Pittsburgh, PA: Andy Warhol Museum, 2006: 4.
2006 Nato Thompson, “Ahistoric Essay.” Ahistoric Occasion: On the Uses of History. North Adams, MA: Massachusetts Museum of Contemporary Art, 2006.
2006 Vera Tollmann, “Hands-on History.” Was Wäre Wenn #4: Hands-On History. Berlin: JET, 2006.
2006 Soomin Lee, “Art in America: YBA, YGA, and YAA” Art in America. Cheonan, South Korea: Arario Gallery, 2006.
2006 Kate Green, “New Works: 06:3 Allison Smith.” San Antonio, TX: Artpace, 2006.
2006 Joanna Raczynska, Now Again the Past: Rewind Replay Resound. Tonawanda, NY: Carnegie Art Center, 2006: 3-5.
2006 Grace Glueck, “At MASS MoCA, A Carnival of Lost Souls & Masquerades.” The New York Times, July 30, 2006.
2006 Cate McQuaid, “Blast From the Past: at MASS MoCA and Elsewhere, Artists Take on Historic Reenactment.” Boston Globe, June 9, 2006.
2006 John E. Mitchell, “Ahistoric Occasion Walks a Thin Line in Time.” North Adams Transcript, June 8, 2006.
2006 Annie Karni, “Road Rage: Reinterpreting The American Road Trip at Socrates Sculpture Park.” Paper, June 2, 2006.
2006 Lauren Jenison, “The Muster.” Knitknit [New York] 6 (2006): 25.
2006 Charles Bonenti, “Artists Make History.” Berkshire Eagle [Pittsfield, MA], May 26, 2006.
2006 Randi Hopkins, “You’re History.” Boston Phoenix, May 19-25, 2006.
2006 Karen Gardner, “One for the Books at MoCA.” North Adams Transcript, May 6-7, 2006.
2006 Lisa Pasquariello, “Ahistoric Occasion: Artists Making History.” Artforum May 2006.
2006 Michael Ned Holte, “From California to the New York Island.” Artforum May 2006.
2006 Adrian Plant, “Allison Smith: Notion Nanny,” a-n, May 2006. 
2006 Edith Newhall, “Top Ten Trends: American Gothic.” ARTnews Feb. 2006: 112-113.
2006 Sarah Halls, “Crafty Idea to Bring Back Arts.” Guardian [UK], 2006.
2006 Peter Eleey, “Best of 2005: Emerging Artists.” frieze January/February 2006: 122.
2005 Sarah Lewis, “Greater New York 2005: Allison Smith.” Greater New York 2005. New York: P.S.1 Contemporary Art Center/MoMA, 2005.
2005 James Trainor, “The Muster,” frieze, September 2005. 
2005 Nick Stillman, “Allison Smith,” Flash Art, July/September, 2005. 
2005 Alison Benjamin, “Allison Smith: Q &A,” The Guardian, London, England, August 24, 2005. 
2005 L.H., “The Nanny State.” Crafts: Decorative and Applied Arts 197, November/December 2005.
2005 “Notion Nanny Tea Party.” Time Out London 1834, October 12-19, 2005.
2005 “’You Are Here’ Charts Critical Look at Artistic Frontier.” Big Bend Sentinel, October 6, 2005: 8.
2005 Biesenbach, Klaus, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart, and Ann Temkin, eds. Greater New York 2005. New York: P.S.1 Contemporary Art Center/MoMA, 2005.
2005 David Rimanelli, “Greater New York 2005.” Artforum 43:9, 2005.
2005 Zoe Walker, “Notion Nanny in Motion.” South London Press, 2005.
2005 James Bae, “You Are Here: Ballroom Marfa.” ARTL!ES, 2005.
2005 Barbara Pollack, “Allison Smith, Victory Hall,” Time Out New York, New York, NY, June 16-22, 2005. 
2005 Nick Stillman, “Conversations with Allison Smith.” NYFA Interactive, June 2005.
2005 Domenick Ammirati, “Scene & Herd: Role Call.” Artforum.com, May 18, 2005.
2005 Randy Kennedy, “Desert Island Fantasy,” The New York Times, New York, NY, May 16, 2005. 
2005 Karen Rosenberg, “Goings On About Town: The Muster.” The New Yorker, 16 May 2005.
2005 Christopher Pacetta, “Ten-hut! New York Artists Invoke Civil War Imagery to Draw Attention to Their Favorite Causes,” New York Daily News, New York, NY, May 14, 2005. 
2005 Martha Schwendener, “Muster & Commander,” Time Out New York, New York, NY, May 12-18, 2005. 
2005 Ariella Budick, “Enlisting in the Army of Art,” New York Newsday, New York, NY, May 12, 2005. 
2005 Carol Vogel, “War & Pieces by Artists,” The New York Times, New York, NY, May 6, 2005. 
2005 E.V. Day, “Rants and Raves.” NYFA Interactive, March 23, 2005.
2005 Holland Cotter, “The Armory Show Busts Out, All Over.” The New York Times, March 11, 2005: E36.
2005 Holland Cotter, “Log Cabin.” The New York Times, January 28, 2005.
2004 Holland Cotter, “Explosion LTTR.” The New York Times, August 6, 2004.
2003 Kristin Carlson, “Allison Smith: Civil War Re-enactments as Critical Memorial Forms.” Columbia University, 2003.
2003 David Ebony, “NYC Fairs Provoke & Promise.” Art in America, May 2003.
2003 James Auer, “Formed to Function?” Journal Sentinel [Sheboygan, WI], February 24, 2003.
2002 Roberta Smith, “Allison Smith, Ellen Altfest,” The New York Times, New York, NY, October 4, 2002.
2002 Kate Forde, “Allison Smith & Ellen Altfest.” The Brooklyn Rail Autumn 2002: 20-21.
2002 Christian Viveros-Fauné, Special Editions Fellowships 2001. New York: Lower East Side Printshop, 2002.
2001 Candice Russell, “Triumph of the Anti-Beautiful.” South Florida City Link,October 31, 2001.
2001 Michael Rush, “Brooklyn!: I Sing the Borough Electric.” BROOKLYN! Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2001.
2001 Michael Steinberg, Up & Coming: Inside Guide to the Emerging Art Scene in NY. Vilo International Press, 2001.
2001 Ken Johnson, “Two Friends & So On.” The New York Times, July 21, 2001.
2000 Jeffrey Day, “Spoleto 2000: The Flag as Art.” The State [Columbia, SC], June 9, 2000: E1-E2.
2000 Tippy Stern Brickman, In the Shadow of the Flag. Charleston, SC: Tippy Stern Fine Art, 2000.
2000 Rachel Greene, “We Have Liftoff.” Time Out New York, May 18-25, 2000.
2000 Helen Burnham, “Allison Smith @ Bellwether.” NY Arts, April 2000: 94.
1999 Robert Longo, The Searchers. New York: Artists Space, 1999.
1999 Nicholas Kersulis, “Farby Minimalism.” The Wight Biennial. Los Angeles: University of California New Wight Gallery, 1999.
1997 Carol Ockman, Lessons for Looking at Women. Williamstown: Williams College Museum of Art, 1997.
1996 Kim Levin, “Sweat.” Village Voice, July 16, 1996.
1996 Sarah Schmerler, “Imaginary Beings.” Time Out New York, January 10-17, 1996.

MONOGRAPHS
2017 (forthcoming) Allison Smith: Source Materiel: Trench Art as Material and Metaphor in the 21st Century, Center for Contemporary Arts, Santa Fe, NM
2016 Allison Smith: The Cries of San Francisco. Southern Exposure, San Francisco, CA
2014 Allison Smith: Set Dressing. The Arts Club of Chicago, IL
2014 Allison Smith: Rudiments of Fife & Drum. The Aldrich Contemporary Art Museum, Ridgefield, CT (45 rpm vinyl record)
2010 Allison Smith: Needle Work. Mildred Lane Kemper Art Museum, St. Louis, MO
2007 Allison Smith: The Muster. Public Art Fund, New York, NY

PUBLICATIONS AS AUTHOR
2016 Allison Smith, “Installation” and “Prop”. In Terms of Performance, Arts Research Center, University of California, Berkeley, CA and Pew Center for Arts and Heritage, Philadelphia, PA
2016 Allison Smith, “To Market! To Market!” Allison Smith: The Cries of San Francisco. San Francisco: Southern Exposure, 2016.
2014 Allison Smith, “Quilts are Quilts.” Unconventional and Unexpected: American Quilts Below the Radar 1950-2000. New York: Abrams, 2014.
2014 Allison Smith (as told to Jason Foumberg), “500 Words” column, Artforum.com, 24 November 2014.
2013 Allison Smith, “Expanded Battle Fields: Craft as a Different Sort of Reenactment.” Collaboration Through Craft. London: Bloomsbury, 2013. 
2011 Allison Smith, (artist pages) The Air We Breathe: Artists and Poets Reflect on Marriage Equality. San Francisco: SFMOMA, 2011.
2011 Allison Smith, (artist pages) 41 Artists, 5 Cities, Artadia 08/09. New York: Artadia: The Fund for Art and Dialogue, 2011.
2009 Allison Smith and Doug Ashford, “Conversation.” MATRIX/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009.
2009 Allison Smith, (artist pages) MATRIX/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009.
2009 Allison Smith, “Parasol.” Home for Lost Ideas. London: Archive Books, 2009.
2009 Allison Smith, “Native Funk and Flash." Journal of Modern Craft online, London, July 8 & 18, 2009.
2008 Allison Smith, (artist pages) A Guide to Democracy in America. New York: Creative Time, 2008.
2007 Allison Smith, “Ruskin Lace Today.” Knitknit [New York] 7 (2007): 2-3.
2007 Allison Smith, “Call to Arms” and “A Tour Through the Encampment.” Allison Smith: The Muster: What Are You Fighting For?. New York: Public Art Fund, 2007: 46-82. 
2006 Allison Smith, “Public Address.” Was Wäre Wenn #4: Hands-On History. Berlin: JET, 2006.
2006 Sarah Carrington and Allison Smith, “Notion Nanny: Tinker, Tailor, Merchant and Maker.” Knitknit [New York] 6 (2006): 20-21.
2006 Allison Smith, “Address.” Now Again the Past: Rewind Replay Resound. Tonawanda, NY: Carnegie Art Center, 2006: 20-23.
2006 Allison Smith, “The Muster: Address.” Who Cares, New York: Creative Time, 2006.
2006 Allison Smith, “Every Thing.” Frozen Tears [London] 3, 2006: 773-778.
2006 Allison Smith, “Public Address.” Ahistoric Occasion: On the Uses of History. North Adams, MA: MASS MoCA, 2006.
2005 Allison Smith, “The Muster” Broadside. New York: Public Art Fund, 2005.
2005 Matt Wolf and Allison Smith. “Reenacting Stonewall, Jackson that is.” Journal of Aesthetics & Protest [Los Angeles] 1.4 (2005): 222-33.
2005 Matt Wolf and Allison Smith, “Reenacting Stonewall, Jackson that is.” queerkit.org
2004 Allison Smith, “Notes on Trench Art.” LTTR [New York] 3, 2004.
2004 Allison Smith and Daphne Fitzpatrick, “Conversation.” (and artist multiple) North Drive Press [New York] 1 (2004). 
2004 Allison Smith, “Notes on Trench Art, or The Promiscuity of Meaning that Characterizes a Heretofore Invisible Class of Objects.” Frozen Tears [London] 2 (2004): 578-584.
2002 Allison Smith, (artist multiple) LTTR [New York] 1, 2002.
2001 Robert Gober, Daphne Fitzpatrick and Allison Smith, “Bob Gober Talks with Daphne Fitzpatrick and Allison Smith.” Interview June 2001: 88+.
1999 Allison Smith, (artist pages) New Observations 122: Of Hermes and History, 1999. 
1996 Allison Smith, (artist pages) X-X-X Fruit 3: Diaries, June 1996.
1995 Allison Smith, (artist statement) Re/Defining Lesbians: Power/Transition. College Art Association, Esperanza Peace and Justice Center, San Antonio, TX, 1995.

PUBLIC PRESENTATIONS
2015 Artist Talk: Source Materiel, Center for Contemporary Arts, Santa Fe, NM
2014 Co-organizer, Presenter, The Curative Object Symposium, Contemporary Art Forum series, Museum of Modern Art, New York, NY
2015 Artist Talk: Source Materiel, Signal Center for Contemporary Art, Malmö, Sweden
2015 Artist Talk, Gallery Walkthrough, Here we LTTR, Tensta Konsthall, Tensta, Sweden
2015 Artist Talk, Decad, Berlin, Germany
2015 Artist Talk, Panelist, Art from Research panel, ARTspace, College Art Association Annual Conference, New York, NY
2014 Artist Talk, Gallery Walkthrough, Artists on Art series, Photography and the American Civil War exhibition, The Metropolitan Museum of Art, New York, NY
2014 Artist Talk: Set Dressing, Arts Club of Chicago, IL
2014 Artist Talk, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
2013 Artist Talk, Craft and Folk Art Museum/California State University, Department of Art, Los Angeles, CA
2013 Artist Talk: Trench Art, Subjective Histories of Sculpture series, SculptureCenter, Vera List Center for Art & Politics, New York, NY
2012 Discussant (in conversation with Jennifer DeVere Brody), Precarious Performance talk, History of Art Department/Theater Dance and Performance Studies Department, University of California, Berkeley, CA
2012 Presenter, Moderator, ReMODEL: Sculpture Education Now Symposium, California College of the Arts, San Francisco, CA
2012 Artist Talk, Panelist, Material Culture as Cultural Material panel (moderated by Glenn Adamson), New Approaches to Presenting American Art Symposium, Metropolitan Museum of Art, New York, NY
2011 Artist Talk, Panelist, Expanding Craft/Expanding Objects panel, Situated: Time-based Art and Neighborhood Ecologies Symposium (organized by Shannon Jackson), University of California, Berkeley, CA
2011 Presenter, Moderator, Craft Forward Symposium, California College of the Arts, San Francisco, CA
2010 Artist Talk, Small Talk series, Huckleberry Finn exhibition (curated by Jens Hoffmann), CCA Wattis Institute for Contemporary Arts, San Francisco, CA
2010 Artist Talk, Gallery Walkthrough, American Stories: Paintings of Everyday Life exhibition, Los Angeles County Museum of Art, CA
2010 Artist Talk, Panelist, YES Symposium: The Persistence of Optimism (organized by Ian Berry), Tang Teaching Museum and ArtGallery, Skidmore College, Saratoga Springs, NY
2010 Artist Talk, Panelist, Unruly Work: Queer Art and Activism panel (moderated by Julian Carter), California College of the Arts, San Francisco, CA
2008 Roundtable Discussant, Post-Studio Lessons: Teaching Art in the 21st Century think tank (organized by Pablo Helguera), Museum of Modern Art, New York, NY
2008 Artist Talk, Panelist, Crafting Protest panel (moderated by Julia Bryan-Wilson), Vera List Center for Art & Politics, New York, NY
2007 Artist Talk (in conversation with Nato Thompson), Initial Public Offerings (I.P.O.) series, Whitney Museum of American Art, New York, NY
2007 Artist Talk, Panelist, Exploring the Rise of Reenactment as a Form of Public Memory (moderated by Carrie Lambert-Beatty), Ahistoric Occasion: The Uses of History in Contemporary Art Symposium (organized by Nato Thompson), Massachusetts Museum of Contemporary Art/ The Sterling & Francine Clark Art Institute, North Adams and Williamstown, MA
2006 Artist Talk, Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry series, Museum of Modern Art, New York, NY
2005 Roundtable Discussant, Who Cares: Beauty & Its Discontents think tank (moderated by Doug Ashford), Creative Time, New York, NY
2005 Artist Talk, Spencer Museum of Art/ University of Kansas, Art Department, Lawrence, KS
2005 Artist Talk (in conversation with Jeffrey Uslip), Initial Public Offerings (I.P.O.) series, Whitney Museum of American Art, New York, NY
2005 Artist Talk, Panelist, Log Cabin Symposium (moderated by Jeffrey Uslip), Vera List Center for Art & Politics/ Artists Space, New York, NY

VISITING ARTIST LECTURES & CRITIQUES
2017 Lecture and Graduate Workshop, Nomad 9 Interdisciplinary MFA Program, Hartford Art School, University of Hartford, CT
2016 Lecture and Undergraduate Critiques, Kansas City Art Institute, Fiber Department, Kansas City, MO
2016 Lecture and Graduate Critiques, San Francisco Art Institute, San Francisco, CA
2016 Lecture and Graduate Workshop, Indiana University, Bloomington, IN
2015 Lecture and Graduate Critiques, Arizona State University, Phoenix, AZ
2014 Graduate Critiques, Stanford University, Palo Alto, CA
2013 Lecture and Critiques, The Critique Program, San Francisco, CA
2013 Lecture and Graduate Critiques, University of California, Davis, MFA Program, CA
2013 Lecture and Undergraduate and Graduate Critiques, University of California, Berkeley, Department of Art Practice, CA
2012 Lecture, Sonoma State University, Department of Art and Art History, Rohnert Park, CA
2012 Lecture, Temple Contemporary/ Tyler School of Art, Foundations Program, Philadelphia, PA
2012 Lecture, Mildred’s Lane, Beach Lake, PA
2011 Lecture, School of the Art Institute of Chicago, Fiber & Material Studies Department, Chicago, IL
2011 Lecture, Mills College, MFA Program, Oakland, CA
2010 Lecture and Critiques, Sam Fox School of Design & Visual Arts, Washington University, St. Louis, MO
2009 Lecture and Critiques, Vermont Studio Center, Johnson, VT
2009 Lecture and Critiques, Mildred’s Lane, Beach Lake, PA
2009 Lecture and Graduate Critiques, Massachusetts College of Art, MFA Program, Boston, MA
2009 Lecture and Graduate Critiques, Rhode Island School of Design, Glass Department, Providence, RI
2009 Lecture and Graduate Critiques, University of California, Berkeley, MFA Program, CA
2009 Lecture and Critiques, Sam Fox School of Design & Visual Arts, Washington University, MFA Program, St. Louis, MO
2008 Lecture and Graduate Critiques, Frederick R. Weisman Museum of Art, University of Minnesota, MFA Art Department, Minneapolis, MN
2008 Lecture and Critiques, Mildred’s Lane, Beach Lake, PA
2008 Lecture and Undergraduate Critiques, School of Visual Arts, Fine Arts Department, New York, NY
2008 California College of the Arts, MFA Social Practice Program, San Francisco, CA
2008 Lecture and Critiques, Herron School of Art and Design, Indianapolis, IN
2007 Lecture and Graduate Critiques, School of Visual Arts, MFA Program, New York, NY
2007 Lecture and Graduate Critiques, Rutgers University, Mason Gross School of the Arts, MFA Program, New Brunswick, NJ
2007 Lecture and Critiques, Massachusetts College of Art, Boston, MA
2007 Lecture and Graduate Critiques, Cranbrook Academy of Art, Sculpture Department, Bloomfield Hills, MI
2007 Lecture and Graduate Critiques, University of Southern California Roski School of Fine Arts, MFA Program, Los Angeles, CA
2006 Keynote Lecture and Graduate Critiques, University of the Arts, College of Art & Design, MFA Program, Philadelphia, PA
2006 Lecture, Florida International University, Miami, FL
2006 Lecture, Florida Atlantic University, Boca Raton, FL
2006 Lecture, Maryland Institute College of Art, Fiber Department/Sculptural Studies, Baltimore, MD
2006 Lecture, Performance Studies Department, Tisch School of the Arts, New York University, New York, NY
2006 Lecture and Critiques, Maine College of Art, MFA Program, Portland, ME
2006 Undergraduate Critiques, Yale School of Art, Sculpture Department, New Haven, CT
2006 Graduate Critiques, Parsons School of Design, Fine Arts Department, New York, NY
2006 Lecture and Undergraduate Critiques, Rhode Island School of Design, Textiles Department, Providence, RI
2005 Lecture, Constance Howard Resource and Research Centre in Textiles, Goldsmiths College, University" of London, UK
2005 Lecture and Undergraduate Critiques, Manchester Metropolitan University, Manchester, England, UK
2005 Lecture and Graduate Critiques, New York University Steinhardt School, Studio Art Department, New York, NY
2005 Graduate Thesis Committee, Columbia University School of the Arts, Visual Arts Division, New York, NY
2005 Lecture and Graduate Critiques, Rhode Island School of Design, Glass Department, Providence, RI
2005 Lecture, Undergraduate and Graduate Critiques, Rhode Island School of Design, Textiles Department, Providence, RI
2005 Undergraduate Critiques, Yale University School of Art, Sculpture Department, New Haven, CT
2004 Lecture and Undergraduate Critiques, Barnard College, Fine Arts Department, New York, NY
2004 Lecture and Graduate Critiques, Rhode Island School of Design, Printmaking Department, Providence, RI
2002 Lecture and Undergraduate Critiques, New York University Steinhardt School, Studio Art Department, New York, NY
2002 Lecture and Graduate Critiques, Rhode Island School of Design, Glass Department, Providence, RI
2001 Lecture and Undergraduate Critiques, Rhode Island School of Design, Glass Department, Providence, RI
2000 Lecture and Undergraduate Critiques, The Corcoran College of Art & Design, Sculpture Department, Washington, DC
2000 Andrew Mellon Visiting Artist Lecturer, Pratt Institute, Visual Arts Program, Brooklyn, NY

COLLECTIONS
Arario Gallery, Cheonan, South Korea
Art, Design and Architecture Museum, University of California, Santa Barbara, CA
Berkeley Art Museum and Pacific Film Archive, University of California, CA
Birmingham Art Museum, AL
Brooklyn Museum, NY
Chazen Museum of Art, University of Wisconsin, IL
Clifford Chance, New York, NY
Fine Arts Museums, San Francisco, CA
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY 
Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
Hammer Museum, University of California, Los Angeles, CA
Indianapolis Museum of Art, IN
Linda Pace Foundation, San Antonio, TX
Los Angeles County Museum of Art, CA
McNay Art Museum, San Antonio, TX
Mildred Lane Kemper Art Museum, St. Louis, MO 
Mills College Art Museum, Oakland, CA
Neuberger Museum of Art, Purchase, NY
New York Public Library, NY
Pennsylvania Academy of Fine Arts, Philadelphia, PA
Picker Art Gallery, Colgate University, Hamilton, NY
Queens Museum, NY
Richmond Center for Visual Arts, Western Michigan University
RISD Museum of Art, Providence, RI
Saatchi Gallery, London, UK
San Francisco Museum of Modern Art, CA
Smithsonian Institution, Washington, DC
Spencer Museum of Art, Lawrence, KS
University Museum of Contemporary Art, University of Massachusetts, Amherst, MA
Vera List Center, New School, New York, NY
West Collection, Oaks, PA
Whitney Museum of American Art, New York, NY
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ

(Works held in private collections the worldwide)

PROFESSIONAL ORGANIZATIONS 
Member, College Art Association 
Member, Mildred’s Lane Advisory Board 
Companion, Guild of St. George

GALLERY REPRESENTATION
2010– Haines Gallery, San Francisco, CA 
2000–07 Bellwether, New York, NY
 
Bibliography Section Article Bibliography Section Catalog Bibliography Section Web Link PDF icon displayed by thumbnail Sold Dot